![David Edmond, Flora A7, 2022](https://artlogic-res.cloudinary.com/w_1600,h_1600,c_limit,f_auto,fl_lossy,q_auto/artlogicstorage/cavalierofinn/images/view/ea1cf7e078046d4c1ba62f99e117fc40j/cavalierofinngalleryltd-david-edmond-flora-a7-2022.jpg)
![David Edmond, Flora A7, 2022](https://artlogic-res.cloudinary.com/w_1600,h_1600,c_limit,f_auto,fl_lossy,q_auto/artlogicstorage/cavalierofinn/images/view/803705a9bb9701e74504fdb6e0332196j/cavalierofinngalleryltd-david-edmond-flora-a7-2022.jpg)
![David Edmond, Flora A7, 2022](https://artlogic-res.cloudinary.com/w_1600,h_1600,c_limit,f_auto,fl_lossy,q_auto/artlogicstorage/cavalierofinn/images/view/4397f6e267b7829611c07e6c2e4c5c51/cavalierofinngalleryltd-david-edmond-flora-a7-2022.jpg)
David Edmond
Flora A7, 2022
Oil on Fabriano Tela, 300gsm acid free and archival paper
37 x 28cm
signed and dated
CF0764
Currency:
Further images
The Flora paintings are based on flash light photographs David takes. The subjects are common and random wild plants like those Albrecht Dürer painted in his ‘Das große Rasenstück’ (the...
The Flora paintings are based on flash light photographs David takes. The subjects are common and random wild plants like those Albrecht Dürer painted in his ‘Das große Rasenstück’ (the Great Piece of Turf). The shock intervention of bright artificial light on nature speaks of our contemporary man-made environment.