Juliette Bigley
Twist (Blue), 2026
Mixed metals
28 x 20 x 16 cm
11 x 7 7/8 x 6 1/4 in
11 x 7 7/8 x 6 1/4 in
Series: Twist
CF1644
Photo: Nicola Tree
£ 1,980.00
Further images
Juliette Bigley is a sculptor who uses base and precious metals to explore how we experience our emotional and physical place in the world and how we negotiate the interface...
Juliette Bigley is a sculptor who uses base and precious
metals to explore how we experience our emotional and physical place in
the world and how we negotiate the interface between the physical world
that surrounds us and the intangible worlds of emotion, belief, thought,
language and memory. Focussing particularly on lines and thresholds,
Juliette's work is sculptural and often comprises groups of objects.
Talking about this work Juliette said, "It fascinates me that two pieces can begin with the same starting point can end up so differently: with a very different sense of who they are. This piece twists up and out of the wall, but there is a depth to the colour of that draws me in but then gives me space to move around in it. I find the space in this piece inviting and fractionally disorientating in a way that I enjoy. Here the sphere, resting precariously on the edge, seems to hold the piece in suspension – if such a thing were possible."
metals to explore how we experience our emotional and physical place in
the world and how we negotiate the interface between the physical world
that surrounds us and the intangible worlds of emotion, belief, thought,
language and memory. Focussing particularly on lines and thresholds,
Juliette's work is sculptural and often comprises groups of objects.
Talking about this work Juliette said, "It fascinates me that two pieces can begin with the same starting point can end up so differently: with a very different sense of who they are. This piece twists up and out of the wall, but there is a depth to the colour of that draws me in but then gives me space to move around in it. I find the space in this piece inviting and fractionally disorientating in a way that I enjoy. Here the sphere, resting precariously on the edge, seems to hold the piece in suspension – if such a thing were possible."
Exhibitions
Selected Exhibitions
Collect 2026, Somerset House, London
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