“I now think of light and space as equivalent material elements in my making to porcelain. I have always been interested in boundaries in the landscape and interfaces between different forms and states and have come to think about these more and more. Examples are the cutting lines in hedges, trees growing around hard forms and the intertidal zone at the coast. The work is about perception over time – looking and looking again reveals the ephemerality of perception. The use of fins on hard-edged forms means that as light conditions change and the viewpoint alters, the boundary between presence and absence of the object shifts.”
Nicholas Lees