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Revisit Cavaliero Finn's presentation at London Art Fair 2025 - The Anonymous Line: Stand G6 - Business Design Centre, Islington, London N1 0QH

Past exhibition
22 - 26 January 2025
Mimi Joung, Torn between finding answers or never knowing at all, 2024
Mimi Joung, Torn between finding answers or never knowing at all, 2024
Mimi Joung, Torn between finding answers or never knowing at all, 2024
Mimi Joung, Torn between finding answers or never knowing at all, 2024
Mimi Joung, Torn between finding answers or never knowing at all, 2024

Mimi Joung

Torn between finding answers or never knowing at all, 2024
Porcelain, matt white glaze
50 x 50 x 50 cm
19 3/4 x 19 3/4 x 19 3/4 in
Series: Shadows of yes and no
CF1351
Photo: Mimi Joung
£ 3,300.00
Mimi Joung, Torn between finding answers or never knowing at all, 2024
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Further images

  • (View a larger image of thumbnail 1 ) Mia Cavaliero, The Night and Moonshine, 2022
  • (View a larger image of thumbnail 2 ) Mia Cavaliero, The Night and Moonshine, 2022
  • (View a larger image of thumbnail 3 ) Mia Cavaliero, The Night and Moonshine, 2022
  • (View a larger image of thumbnail 4 ) Mia Cavaliero, The Night and Moonshine, 2022
  • (View a larger image of thumbnail 5 ) Mia Cavaliero, The Night and Moonshine, 2022
In her new body of work Shadows of Yes and No, Mimi Joung repeats the same words Yes and No to create various wall and freestanding works in varying shades...
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In her new body of work Shadows of Yes and No, Mimi Joung repeats the same words Yes and No to create various wall and freestanding works in varying shades of grey. The work builds on her interest in Dansaekhwa, the Korean monochrome movement, which reconciles the influence of western modernism on Korean artistic culture.

The movement highlighted the post-war struggle within Korea over national identity, belonging and tradition. By using repetitive patterns and gestures, each artist attempted to create an aesthetic style that was universal and belonged to no one.

Her pieces, which she develops and names based on her feelings towards human relationships and emotions, use the repeated form of yes and no to generate sculptural works that ask us to think about the shortest and hardest but perhaps most powerful words in our language.

As you look at her work, she asks you to not simply enjoy the form but also to reflect on your own emotional response. What makes us feel ready to say yes and what drives us to say no? Is life black and white or a more subtle reflection on transience and beauty?
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Exhibitions

Selected Exhibitions
London Art Fair 2025

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