These new works from David Edmond’s ongoing series, At the Edge, focus on a series self-built homes and boathouses. These are sometimes tucked behind long marsh grass on a muddy creek at Broadness Harbour on the Thames Estuary and are a study of the creative free spirit under threat from the homogenisation of society. At the time of writing, the last occupant of Broadness Harbour has recently been evicted after 34 years, the buildings and community destroyed in the name of future development.

These humble dwellings stood on the edge, both socially and geographically — and it is precisely these quality that have drawn and inspired him. Rembrandt too was drawn to marginalised people and old weathered buildings as they offered him a real view of the human condition. He sought out truth texture and emotional honesty. Whatever the everyday subject matter, be it gardens, beaches or streets, David applies his trademark textures to the canvas mixing detailed areas with looser brushstrokes to wonderful effect.

This building was spotted by David in Joyce Green Lane, in Dartford, but has the same feeling as the dwellings as those at Broadness Harbour.

David breaks down these ramshackle buildings into abstract elements referencing geometry and modernism showing how the past can influence the future as these structures stand as a legendary symbol of the disappearing maritime history of the Lower Thames.

Land battles continue as the ever increasing threat from developers lingers ominously.