Juliette Bigley
Standing Forms (orange bowl) , 2026
Patinated mixed metals
10 x 15 x 15 cm
4 x 5 7/8 x 5 7/8 in
4 x 5 7/8 x 5 7/8 in
Series: Standing Forms
CF1646
Photo: Nicola Tree
£ 1,450.00
Further images
Juliette Bigley is a sculptor who uses base and precious metals to explore how we experience our emotional and physical place in the world and how we negotiate the interface...
Juliette Bigley is a sculptor who uses base and precious
metals to explore how we experience our emotional and physical place in
the world and how we negotiate the interface between the physical world
that surrounds us and the intangible worlds of emotion, belief, thought,
language and memory. Focussing particularly on lines and thresholds,
Juliette's work is sculptural and often comprises groups of objects.
Talking about this work Juliette said, “There is something so comforting about the form of the bowl, especially in this size where it could so easily rest in the palms of my hands. Care, nurture, comfort all in single form I find it so solid and comforting. But put it on the edge, and that sensation changes a little, becomes more zingy and electrified. Something fundamentally familiar in a new, less predictable form. And colours, drawn from the metal by the heat of the flame. Golds, reds, greens and black scattered across the surface: endless variations of colour and pattern through which to drift."
metals to explore how we experience our emotional and physical place in
the world and how we negotiate the interface between the physical world
that surrounds us and the intangible worlds of emotion, belief, thought,
language and memory. Focussing particularly on lines and thresholds,
Juliette's work is sculptural and often comprises groups of objects.
Talking about this work Juliette said, “There is something so comforting about the form of the bowl, especially in this size where it could so easily rest in the palms of my hands. Care, nurture, comfort all in single form I find it so solid and comforting. But put it on the edge, and that sensation changes a little, becomes more zingy and electrified. Something fundamentally familiar in a new, less predictable form. And colours, drawn from the metal by the heat of the flame. Golds, reds, greens and black scattered across the surface: endless variations of colour and pattern through which to drift."
Exhibitions
Selected Exhibitions
Collect 2026, Somerset House, London
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