Frances Priest

Frances Priest's current work explores and interprets languages of ornament from different cultures, places and periods in history. The work is heavily influenced by a book she grew up with, The Grammar of Ornament by Owen Jones, first published in 1856. As a child, Frances read this book from cover to cover, and so began her love of pattern. In her late twenties, Frances spent a period travelling abroad, she started to take photographs and make drawings of patterns she observed, from the arrangement of tiles on a temple roof to the embroidered silks on market stalls. She was intrigued by the decorative language that covered the surfaces of all the buildings she saw, the different flora and fauna she experienced and this gave her the direction for her current work in clay.

Frances' intricate and colourful ceramic objects celebrate her fascination for ornament and pattern and she uses clay as a canvas on which to build richly drawn and layered surfaces of inlaid line, glaze colour and enamel decals. The results are intricate and beautiful.

Beyond the studio Frances develops projects and commissions that respond to people and places, using her interests as a platform from which to engage with new environments. This approach has led to work in varied and sometimes unexpected settings, from an English Tudor banqueting room in Sheffield, to a tiled corridor for The Royal Edinburgh Hospital, an NHS hospital specialising in mental health, to a country home on the Scottish Island of Raasay.

Frances' work has been acquired by a number of museums including the National Museums of Scotland Edinburgh, The Fitzwilliam Museum Cambridge, The Victoria & Albert Museum London, McManus Galleries Dundee, The Shipley Art Gallery Gateshead, The International Museum of Ceramics Faenza, Italy and The International Museum of Contemporary Ceramics Ichon Province, Korea.

Frances' work has featured in a number of biennials and awards including, European Ceramic Context, The Wesley Barrell Craft Award, The British Ceramics Biennale, Arts & Business Scotland Award, Homo Faber, and The John Smedley Craft Prize.

Frances obtained a 1st Class BA Hons and her PG Diploma in Ceramics from Edinburgh College of Art in June 1998/9. Frances is a QEST (Queen Elizabeth Scholarship Trust) Scholar.

In 2004, Juliana Cavaliero and Debra Finn curated their first exhibition as Cavaliero Finn in a home in South London and they haven't looked back since.

For this exhibition, Cavaliero Finn returned to its South London roots to celebrate its 20th birthday at Stockwell Studio. The exhibition featured a wide range of artists who have shown with the gallery over the last 20 years including work by our current portfolio of artists and work from some of our earlier artists, like painters Holly Frean, Daisy Cook and Caroline Popham, paper artist Thurle Wright, designer makers Sam Edkins and Deborah Bowness, and sculptors Tom Stogdon, Danuta Solowiej, Merete Rasmussen and Patricia Volk who returned to the gallery as guest artists for this show. The exhibition also included an installation by textile artist Isabelle Fletcher and new work by Lise Herud Braten, the most recent additions to the Cavaliero Finn portfolio.

Revisit this exhibition online now.